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Vol. 3 | Sound Works | Sadie Woods

Sadie Woods1967 Detroit Rebellion StudySadie Woods’ website

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Vol. 3 | The Art of Trespassing | Bridget Frances Quinn

The Art of TrespassingBRIDGET FRANCES QUINNBridget Frances Quinn Title: Traffic ChorusI first discovered the practice of singing-with-the-world as a grimy kid with a flashlight in a storm drain. It started …

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Vol. 3 | Hand Conversations | Laura Gibson

Hand Conversations (Displacement Detroit Series) from Laura D. Gibson on Vimeo.Laura Gibson Title: Hand ConversationsIn this conversation with Gibson’s mother, the artist explores ways to naturally activate storytelling and reflection. …

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Vol. 3 | Dinner Music | Amy Kaherl

Dinner MusicAmy KaherlMy work, when I am the most happy about it, feels like a mixtape. I don’t have a solid album of songs that work with one approach. I …

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Vol. 3 | Declaration of Independence | Todd Stovall

Declaration of IndependenceTodd StovallCame to See (2019)I make objects and techno that are derivative of consciousness. I make visual and sonic monuments that denounce elitism and racism. In which one …

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Vol. 3 | Bree Gant | On Spirit

Bree Gant Title: On Spirit Year: 2020

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Vol. 3 | Bree Gant | Core

Bree Gant Title: Core Year: 2019

Vol. 3 | Introducing Robert Irwin and Michael Asher in Art + Pedagogy | Michael Stone-Richards

Introducing Robert Irwin and Michael Asher in Art + Pedagogy / Critical Practice/Michael Stone-Richards

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Vol. 3 | Hommage to Robert Irwin | Michael Stone-Richards

Hommage to Robert Irwin (via Lawrence Weschler) /Michael Stone-Richards A reading of “Teaching,” chapter 10 of Seeing is Forgetting the Name of the Thing One Sees

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Vol. 3 | Not to cut her into a hundred pieces: A Conversation in Critical Theory | Monique Homan, Molly McLaughlin, and Anisa Rakaj

Not to cut her into a hundred pieces: A Conversation in Critical Theory/Monique Homan, Molly McLaughlin, and Anisa Rakaj